What pieces do you think should be added here? Keep in mind that the piece should date from before 1876, when Pauer’s book was published. One important piece where it’s used is in the slow movement of Beethoven’s Appassionata Sonata, where it has both Pauer’s sonorousness and Berlioz’ majesty.īeethoven: Piano Sonata No. This key uses all the black keys on the piano and so there is a great deal of piano music in D flat major.
17 (Howard Shelley, piano BBC Philharmonic Orchestra Matthias Bamert, cond.)Īlong with Pauer in praising D flat major and denigrating C sharp major, we can add Hector Berlioz, who called the key “majestic” in his 1865 book on orchestration. Korngold: Piano Concerto for the Left Hand in C-Sharp Minor, Op. This was written as a commission by the one-handed concert pianist Paul Wittgenstein in 1923 and only reentered the performing repertoire in the 1980s. One major work in C sharp major, but which is outside the German Classical/Romantic canon that Pauer used as his reference is the remarkable work by Erich Korngold, his Piano Concerto for the Left Hand in C-Sharp Minor, Op. Waltz in C Sharp Major (Jenő Jandó, piano) But, as a waltz in C sharp major, it doesn’t carry the sonorousness that Pauer sought.īrahms: 16 Waltzes, Op. We will, of course, find the key of C sharp major in collections organized by key such as Bach’s Well-Tempered Clavier and we also find it as one of Brahms’ 16 Waltzes, Op.
Powers says that C sharp major was scarcely ever used in its enharmonic guise as D flat major, “it is remarkable for its fullness of tone, and it sonorousness and euphony. For the rest of the major and minor keys, he left us the attributes but not list of pieces.
Credit: WikipediaIn our earlier series on C major and minor, G major and minor, and D major and minor, and A major and minor, E major and minor, B major and minor, and F sharp major and minor, we listed Ernst Pauer’s suggestions from 1876 of pieces that fit the particular affect he assigned for a key.
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